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24 March 2013

Riitta Päiväläinen.

“The unavoidable fact that I will never know the actual story and personal histories connected with the clothes arouses my curiosity. The clothes remain silent, withholding their secrets. Little by little, personal histories are absorbed into the collective history.








Finnish photographer Riitta Päiväläinen uses discarded clothing from second-hand shops and flea markets to carry silent, unknown stories and histories.  By freezing the garment or letting the wind fill it with air, she is able to create a sculptural space, which reminds her of its former user. 


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1 comment:

  1. These are incredible...

    And that quote made me think of my favorite part of the novel Great House by Nicole Krauss:

    "Two thousand years have passed, my father used to tell me, and now every Jewish soul is built around the house that burned in that fire, so vast that we can, each one of us, only recall the tiniest fragment: a pattern on the wall, a knot in the wood of a door, a memory of how light fell across the floor. But if every Jewish memory were put together, every last holy fragment joined up again as one, the House would be built again, said Weisz, or rather a memory of the House so perfect that it would be, in essence, the original itself. Perhaps that is what they mean when they speak of the Messiah: a perfect assemblage of the infinite parts of the Jewish memory. In the next world, we will all dwell together in the memory of our memories. But that will not be for us, my father used to say. Not for you or me. We live, each of us, to preserve our fragment, in a state of perpetual regret and longing for a place we only know existed because we remember a keyhole, a tile, the way the threshold was worn under an open door."

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